Netflix’s and Flatiron Books’ HIS & HERS: Age-Gap Orgy in Woods, Oral for A in Classroom, and Sleepover Sex in Bedroom!

After I studied His & Hers (2026), I searched for the differences between the #1 Netflix series and the Best of #BookTok novel, and the results were, in hindsight, shockingly understated, because it was not until I compared the two did I learn the scandalous differences. 

Here’s the publisher’s (understated) synopsis for Alice Feeney’s His & Hers: A Novel (Flatiron Books, 2020):

When a woman is murdered in Blackdown, a quintessentially British village, newsreader Anna Andrews is reluctant to cover the case. Detective Jack Harper is suspicious of her involvement, until he becomes a suspect in his own murder investigation. Someone isn’t telling the truth, and some secrets are worth killing to keep.

When Anna matriculated at St. Hilary’s High School for Girls, 15-year-old Rachel took her “under her wings”. Rachel, who was described as “slim, [and] pretty” with “pretty blue eyes”, “pretty feet”, “beautiful blond hair”, and “snow white skin”, taught Anna how to apply makeup, and Rachel got Anna “little presents all the time”, like, “lip gloss [...] tops and skirts that were a tad too tight”, and for “an early birthday present”, “a small bottle of [diet] pills”.

Rachel didn’t understand why Anna wanted to invite Catherine, whom was described as a “lonely-looking girl, with hair and eyebrows so blond, they were almost white”, to join their table at lunch. After Rachel said, “You know, being too nice is a sign of weakness,” she “picked up her can of Coke and left the cafeteria. “Rachel returned a few minutes later” and encouraged Anna to invite Catherine to their table. After Catherine arrived, Rachel apologized for any past indiscretions, and she offered Catherine her Coke.  

His & Hers (2026): Rachel's "Piss"

“Five excruciating minutes later”, Catherine “[...] tilted her head right back, and took several gulps before realizing that something was wrong.” 

“You just drank my piss!” said Rachel, an enormous smile on her face once more.

Before it happened, Rachel, who was apparently into (teen) urophilia, had written a note to Anna: 

I pissed in the Coke can. If you tell her before she drinks it, then you’ll be the one sitting alone at lunch tomorrow. 

Unsurprisingly, Anna narrated, in reference to Anna: “[...] below the beautiful exterior, she had an ugly streak.” “Doing something wrong was often the only thing that made her feel right.”

In episode 3 of the series, Anna asked, in reference to Catherine, “Maybe we should invite her over?” Rachel replied, “Bring her to our table. I’m gonna go get another Coke.” Catherine reluctantly joined Anna, Helen, and Zoe. When Rachel returned, she accidentally knocked over Catherine’s beverage, and she insisted that Catherine drink her beverage. After taking two sips of Rachel’s beverage, Catherine said, “Tastes like something’s in it.” Rachel said, “There is. Piss,” and Rachel announced to other schoolgirls in the cafeteria, “She just drank my piss!”

Thus, in the novel, Catherine consumed “several gulps” of Rachel’s urine, but in the series, streamers watched Catherine take two sips. 

A week later in the novel, Rachel, surprisingly “the most popular” girl in Anna’s class, arrived at Anna’s house for a surprise sleepover. 

“I thought we’d have a sleepover; both our mums said it was okay!” Rachel said, running up the front path holding an overnight bag. 

After dinner, in Anna’s room, Rachel asked, “It’s warm tonight, isn’t it?” And then Rachel: "[...] unbuttoned her shirt, letting it fall to the floor, before reaching behind her back to unhook her bra.” 

Before Anna could fully change into her “PJs”, Rachel requested to take Anna’s photo. After Rachel took several photos of half-dressed Anna, Rachel “removed the rest of her clothes”, perused Anna’s posters and books, and climbed into bed beside Anna “still naked, and turned off the light.”

His & Hers (2026): Teen Anna (Kristen Maxwell)

Moments later, Rachel “slipped” her hand inside of Anna’s pyjama bottoms and kissed Anna. After Rachel was finished, she “slid her wet fingers” across Anna’s tummy and whispered, “That was nice, wasn’t it?” Anna narrated:

Then Rachel slipped her hand inside my pyjama bottoms, and I almost forgot how to breathe altogether.

‘Shh,’ she said, before kissing me on the cheek.

I didn’t move and I didn’t say anything. I just lay there, and let her touch me in a place that I had never been touched before. When she was finished, she slid her wet fingers across my tummy and wrapped her arm around my waist. She squeezed me tight, as though I were a favourite doll, then whispered something in my ear before falling asleep. 

“After a couple of months”, Rachel aggressively asked Helen, with her “Cleopatra-style black hair” and “check-bones so defined”, to write Rachel’s and Anna’s “English essays for Monday”, because they needed an A. Otherwise: “Anna won’t be allowed to have her birthday party next weekend.”

On Monday, after they turned in their essays to Mr. Richardson, the English teacher and an aspiring writer, Rachel “dragged” Anna into a bathroom cubicle, closed the door, and demanded, “Take your shirt off.” (Rachel made Catherine guard St. Hilary’s bathroom door, otherwise Rachel threatened to make Catherine do something worse than, “[...] drink piss out of a Coke can.”)

After Rachel unclasped Anna’s bra, Rachel gifted Anna, à la (teen) Paris Hilton, a Wonderbra.

“It’s a Wonderbra! I never wear anything else now; you’re going to love it,” said Rachel

“Look how much bigger they are now!” Rachel said [...] 

Next, Rachel “slowly applied” “strawberry-flavoured lip balm” “with her fingertip” to Anna’s lips. Then Rachel kissed Anna while Catherine watched as Anna “pushed her tongue inside” of Anna's mouth. Anna narrated:

She took a tiny tin of strawberry-flavoured lip balm out of her bag, and slowly applied some to my lips with her fingertip [...]  and kissed me.

[...] Catherine [...] stared at us the entire time Rachel’s lips were on mine. I stood as still as a statue while she pushed her tongue inside my mouth, fully aware that someone was watching.

[...] when Rachel kissed me again, I closed my eyes and kissed her back. 

His & Hers (2026): Wonderbra

In episode 4 of the series, in Anna’s bedroom, Anna modeled a new pink Juicy Couture velour tracksuit for Rachel, but she told Rachel that she couldn’t wear the pants outside unless she “cover[ed] the part that says ‘Juicy’.” And Anna she asked Rachel, “What do you think?” As Rachel rubbed the skin between Anna’s top and bottom, Rachel replied, “I think it’s super cute.” Then Rachel said, “I got something [for you] too. You can wear it to your [sweet sixteen] party next week. It’s a Wonderbra.” 

Rachel urged Anna to try on the Wonderbra immediately to “see if it works”, which it apparently did, because Rachel opined that Anna looked “amazing” and “so fuckin’ hot” in the Wonderbra.

Anna, “Thanks Rach.”

Rachel, “Try it on.”

Anna, “Right now?”

Rachel, “Well, don’t you wanna see if it works? I won’t look.”

Rachel, “Your tits look amazing! You’re so fuckin’ hot.”

His & Hers (2026): Anna Models for Rachel

Subsequently, Zoe, Helen, and Catherine arrived. Zoe brought a bottle of vodka, and Helen complemented Anna, “Shit. You look hot.” As Zoe poured drinks, Rachel said, “Let’s get some pics.” 

Anna protested, “Wait, let me put my top back on.”

Rachel protested, “Come on, pose. Like a model.”

Anna acquiesced and posed like a teen bra model in her new Wonderbra for Rachel’s Polaroids. 

Thus, in the novel, Rachel gifted Anna the Wonderbra in St. Hilary’s bathroom, where they shared a girl-on-girl kiss while Catherine watched and guarded the door, but in the series, Anna received the Wonderbra in her bedroom, where she modeled it for Rachel’s camera. 

In the novel, Rachel and Anna, in their field hockey kilts, were “pulled out of gym class”, because they had been “caught cheating” by Mr. Richardson. Anna was distraught, but Rachel told Anna, “Try not to worry,” Rachel promised Anna that “everything will be okay,” and she told Anna to “meet me in our secret place”. 

Shortly thereafter, Rachel returned “with a big smile on her face”, asked for gum, informed Anna that she needed to brush her teeth, and told Anna that they both got A grades on their English essays. 

“Ten minutes later, she appeared in the clearing with a big smile on her face.

‘Don’t suppose you’ve got a mint or some chewing gum?’ she asked.

I shook my head.

‘Don’t worry, I’ll get some later. Need to brush my teeth too.’

‘Why?’

‘Never mind,’ she said, then hugged me. ‘Everything is OK again, you don’t need to worry. We’ll both get A grades for those essays we just handed in [...] .’

Somehow, Anna didn’t conceptualize that Rachel had performed oral sex on Mr. Richardson for two As. Thus, after Rachel dismissed more of Anna’s inquiries, she slid her hand up Anna’s kilt and pushed Anna’s “knickers to one side”. Once Anna’s “knees started to shake”, Rachel let her “lie down on the forest floor”, where she let Rachel “do whatever she wanted.”

“I don’t understand. How did you get Mr Richardson to change his mind?”

“Doesn’t matter,”’ she whispered, then slid her free hand up my hockey skirt.

Her fingers pushed my knickers to one side [...] When my knees started to shake, she let me lie down on the forest floor, and, as usual, I let her do whatever she wanted.

“Feel better?” she asked afterwards.

“[...] we should head back to the changing rooms,” Rachel said. “Do you have any chewing gum in your bag when we get there?”

Due to Rachel’s need for a mint, chewing gum, and the urgency to brush her teeth, readers can safely infer that she finished her English teacher orally. 

At Anna’s 16th birthday party, Rachel made tequila slammers, which made Anna feel “pretty drunk.” After more drinks, Rachel, Helen, Zoe, Anna, and Catherine “all did one another’s hair and makeup.” Zoe, with her “strawberry blond hair” and “pierced belly button”, brought some “skimpy dresses, low-cut tops, and skirts so short they looked like belts”. Interestingly, since Zoe was known at St. Hilary’s to be good with a sewing machine, à la Gwyneth Paltrow, “half the school[girls] had paid her to take up the hems of their skirts.” Eventually, Rachel directed everyone to the woods for “a big surprise”.

As they approached the wooded area, Anna noticed “four men sitting on makeshift log benches”. The men were “much older” than the sweet sixteen party girls, but that didn’t stop Rachel, Helen, and Zoe from sitting on the men’s laps before Rachel commenced an outdoor age-gap orgy. 

His & Hers (2026): Teen Helen (Tiffany Ho)

Rachel led Anna “to the nearest man” whom rubbed Anna’s bare leg. The men took out their wallets and handed Rachel a “handful of notes”. Thereby, revealing that Rachel, Helen, and Zoe were teen prostitutes. After Rachel gave Anna a little white pill, she “stuck her tongue deep inside” Anna’s mouth. Consequently: “The men clapped and cheered while they watched.” Then Rachel pulled the top of Anna’s dress down and the bottom of Anna’s dress up, which prompted Rachel’s disposable camera to cheer: “Clickety-click. Clickety-click. Clickety-click.”

As Rachel kissed and stroked Anna, Helen was “on her knees in front of one of the men. He had a fistful of her shiny black hair.” Zoe was topless while a “man had his hand up Zoe’s skirt”. And Catherine was: “[...] completely naked and facedown in the dirt. One man was on top of her, and another appeared to be waiting.”

Rachel slid her fingers between Anna’s legs, which Anna narrated “felt so nice” but that was only until one of the men squeezed Anna’s breast while he masturbated. Anna narrated:

“Come on, don’t be a cock tease, at least suck it or something,’ said the man who was touching me. ‘We’ve all paid good money to celebrate your birthday with you. Be a good girl [...]”

After Anna protested, Rachel informed Anna that having age-gap sex for money was par for the course for her, Helen, and Zoe. As Rachel held Anna down, Rachel told Anna to “grow up”, because it’s “just sex” and that it only hurts the first time; thus, Anna should, “Try to relax.”

“Get off me,’ I [Anna] whispered.

‘You wanted to be part of our gang, well, this is what our gang does,’ Rachel said, trying to hold me down. ‘How do you think I paid for your new clothes and the highlights in your hair? Grow up, Anna. It’s just sex. It will hurt the first time, but then you’ll be fine, I promise. Try to relax.” 

Anna escaped, but before she covered her naked body and “ran all the way home in bare feet without looking back”, she “watched in horror for a little while” as Rachel took photos of the men having their way with Catherine. 

His & Hers (2026): Anna's Sweet Sixteen

In episode 6 of the series, Anna rescued Catherine from the men whom were attempting to force Catherine into an orgy. Subsequently, Catherine watched in horror as the men began to have their way with a screaming Anna. As Rachel, Zoe, and Helen watched approvingly, one of the four men said in reference to Anna, “I’m gonna give this bitch a birthday present she’ll never fucking forget.” And as one of the men took a crying Anna from behind, Rachel, Zoe, and Helen lovingly sang “Happy birthday to you. Happy birthday, dear Anna. Happy Birthday to you.”

In the novel, readers learned that, despite only being 15, Rachel got what she desired via sex. If her own sexuality wasn’t enough, Rachel sold semi-nudes of other schoolgirls to men. She sold the photographs from the orgies, too. After the schoolgirls were “willing to take off all their clothes, and let her take pictures of them knowingly”, Rachel photographed classmates with their “[e]yes half closed but legs wide open” with the men “sticking themselves inside things they shouldn’t.” Consequently, Rachel earned a lot of money. Anna’s mother narrated:

Rachel Hopkins used sex to get what she wanted. When that wasn’t enough, she used other people. It started with her grooming school friends, taking semi-naked pictures of them, and selling the results to men at the local pub [...] She earned good money [...] When the men got bored of one girl, so did she, and moved her attention and affection to another.

Her photography started to get a little more inventive and adventurous too. Teenage girls were filled with alcohol and drugs, until they were willing to take off all their clothes, and let her take pictures of them knowingly. Eyes half closed but legs wide open. [The men] sticking themselves inside things they shouldn’t.

Rachel’s age-gap relations went beyond her teen years. For example, when she was in her “late thirties”, her husband was 82 (i.e.,  “[more than] old enough to be her father”).

In the end, Anna’s mother described Rachel in the novel as a “two-faced slut” and a “selfish Barbie doll, who stole [...] men from their wives.” 

Unsurprisingly, His & Hers was a Best of #BookTok and #1 Netflix series. 

MAD MEN's Betty Urges Husband to Ravish Sleeping Teen!

In our essay, From the New York Times to Netflix: Schoolgirl Sleepover Sex Stories in Mainstream Media, we related that Nancy Jo Sales wrote in American Girls: Social Media and the Secret Lives of Teenagers (Knopf, 2016) that Riley, a 13-year-old middle-school student in Montclair, New Jersey, a “green-eyed girl with dark blond hair”, had “hooked up for the first time” with Danny in a “house where the parents weren’t there; such parties took place in the afternoons when parents were at work”. In addition to “weed and vodka”, there was “making out, blowjobs, [and] handjobs”. 

Subsequently, Riley, whose parents were writers, hooked up with Danny in his bed during sleepovers. Danny’s parents even provided the middle-school couple with breakfast in bed! Riley shared with Sales, 

“We went over to each other’s houses. I had sleepovers at Danny’s house. His parents made up breakfast and brought it up to his room.”

If you’re wondering why (some) parents allow middle-schoolers to hook up during sleepovers, Victoria, a 13-year-old “brown-haired and freckled faced” schoolgirl, shared with Sales that she, “[…] heard some moms at a bat mitzvah talking about their kids having a boy-girl sleepover”, which the moms referred to as “cute”. And Sophia, “tall, with straight black hair”, added that parents do it because “it’s being ‘feminist”’, and that the parents want to be considered “cool” by their daughters. 

And take Savannah, who wore “short shorts and halter tops that showed “side boob”, and who ruled her Brooklyn, NY middle school. Savannah had a “famous dad” who was “someone in the news”, she had a nanny, and an additional house in the Hamptons with a pool.  Savannah’s parents let her boyfriend “stay over at her house all night sometime”. Savannah shared with Sales that her parents didn’t want to “repress” or “control her sexuality”. Consequently, Savannah’s classmates considered her and her parents to be totally “cool”.

However, the desire to achieve cool status may not be the only reason parents allow hooking up during sleepovers. Take Rich Cohen’s post on Air Mail: “Always Be Suspicious of the “Cool Mom”: A sex scandal involving teens and a mother engulfs upscale Greenwich, Connecticut” (February 26, 2022) 

In the post, Cohen wrote about Hadley Palmer, whom pleaded guilty to three counts of voyeurism and one count of risk of injury to a minor. Per Cohen, Hadley: “live[d] in one of the swankest houses in Belle Haven, [in] one of the toniest sections of Greenwich, Connecticut, [and in] one of the richest towns in America”. And in that swanky Connecticut house, Hadley, an apparent voyeur, encouraged teen sex. Cohen wrote:

Beware the cool mom [...] She’s against pre-marital sex, but says, if you must, because of urges, please not in the car, nor in some dirty motel, but here, in the guest room at the big house by the shore—no, not that room, nor that one, nor that one, nor that one (her house is huge) but in the one at the end of the hall by the maid’s quarters and laundry.

If you don’t believe me, check out the legal papers recently filed in the State Superior Court in Stamford, Connecticut, where 53-year-old Hadley Palmer of Greenwich, after striking a deal with prosecutors, pleaded guilty to three counts of voyeurism and one count of risk of injury to a minor.

In addition, Angela Andaloro posted on People, “11-Year-Old Calls Mom from a Sleepover After Discovering a Camera in Her Friend's Bedroom” (March 12, 2025) In the piece, Andaloro wrote that, during a sleepover, an 11-year-old girl noticed that there were cameras in her friend’s room. The cameras were supposed to be for security purposes, but turned off; however, there were lights on the cameras that indicated that the cameras were recording. And after the 11-year-old put a shirt over a camera, the mother of the sleepover host “removed the shirt, didn’t say anything and left". 

Consequently, one should not be (totally) surprised by "The Doorway" (2013), the premier episode of the 6th season of Mad Men. In the episode, while staying with the Francis family, Sandy, a 15-year-old violin protégé and Juilliard hopeful, performed a Chopin piece. Consequently, Betty Francis, the matriarch, shockingly suggested that Henry, the patriarch, rape Sandy. 

Betty even offered several ways to help and provided tips for the ravishment. For example, Betty offered to restrain Sandy, and Betty offered to take their daughter for a ride, so that Henry could be alone with Sandy, but Betty advised Henry to put a rag in Sandy’s mouth, so her screams wouldn’t “wake the boys”. 

Betty, “You’re so calm from all that violin [...] You and Bobby [our son] had the same look on your face when she was playing. She’s [only] a year older than Sally [our 14-year-old daughter]. Shame on you.”

Henry, “No one would blame me for leaving you for a teenage musician.”

Betty, “She’s just in the next room. Why don’t you go in there and rape her? I’ll hold her arms down [...] You said you wanted to spice things up. Will it ruin it if I’m there? You know what? If you want to be alone with her, I’ll put on my housecoat and take Sally for a ride. You can stick a rag in her mouth, and you won’t wake the boys [...] My goodness. You’re blushing.”

In the end, Betty reminded us of the wife of Augustus, the first emperor of the Roman Empire from 27 BC to 14 AD. We wrote in The Allure of Nymphets (Lad Literature) that Matt Ridley related in the New York Times Notable Book The Red Queen (Harper Perennial) that Augustus had “a passion for deflowering girls”, and according to Roman historian Suetonius, the virgins were conveniently procured by Augustus’ wife. 

Per Air Mail, Upper East Side Teens are Obsessed with OnlyFans!

Caron Griffith’s posted on Air Mail “Snap, Crackle, and ‘Bop’” (February 28, 2026) And some readers were shocked to learn from the subtitle of the post that “Upper East Side parents are up in arms over their daughters’ obsession with OnlyFans creators”.

In the post, Griffith wrote that being an influencer is no longer the dream job of (some) Upper East Side (UES) prep schoolgirls, because being a Bop has become its successor, and unlike its predecessor, a Bop uses social media, not to get brand deals, but as an advertising tool to sell “intimate access” to “explicit content” on OnlyFans. Griffith wrote:

For many, the influencer was the online dream job [...] But there is a successor now. Meet the “Bop.”

The Bop uses the same Internet platforms as a mainstream influencer but to a different end. She gathers attention on TikTok and Instagram, then sells intimate access to paying subscribers, mostly on the explicit-content Web site OnlyFans. The public feed is marketing. The private feed is the business.

Influencers sell products. Bops sell access to themselves.

Per Griffith, Bop stands for Baddie On Point, Body On Payroll, and/or Blown-Out Pussy. Nevertheless, some 16-year-old UES schoolgirls admire Bops: “[...] from their bedrooms, absorbing the choreography of monetized desirability as if it were an Extracurricular.” One UES parent even shared with Griffith that some schoolboys have begun to address certain schoolgirls as Bops, “both [as] an insult and compliment”.

Ari Kytsya's Belfie

In addition, Griffith wrote that, to the dismay of some UES parents, a number of prep schoolgirls are obsessed with practicing the poses (i.e., the belfie\butt-selfie), manners, and aesthetic of Bops. Griffith wrote:

The same girls who once worshipped influencer Sephora hauls and perfected soft-glow selfie routines are now practicing the poses of women who turn their bodies into a product and call it empowerment.

A parent at Columbia Prep describes their 17-year-old daughter as “constantly referencing” the Bops when it comes to her clothes, her makeup, her manner: “She is obsessed.”

OnlyFans requires creators to verify they are 18 or older before earning. But that hasn’t stopped young girls from adopting the Bop aesthetic.

A Brearley parent asked if there was a demarcation line between an influencer and a Bop, and she asked if there was a way for UES parents to convince their already wealthy daughters, whom “attend schools where the tuition is in the high five figure”, that earning enormous amounts of money via OnlyFans isn’t admirable.

“Where is the line between an influencer and a Bop? It looks very similar,” says the mother of a student at Brearley, the all-girls private school. “The Bop might actually be making more money. How do we tell our daughters it is in fact bad? They see the glam. They do not see the trade-off. They do not see the risk.”

Piper Rockelle\Bop House Collab

In terms of earning enormous amounts of money via OnlyFans, Griffith wrote about the Bop House, which houses, at approximately $75,000 per month, OnlyFans content creators who, in their early 20s, post alluring but non-explicit free content from the Bop House on social media to lure viewers to explicit paid content on OnlyFans. Griffith related that, per Fast Company, the Bop House content creators made a whopping $10 million during their first month in business.

The “Bop House,” which put the Bop term into wider circulation, began in December 2024 as an OnlyFans collective: eight women in their early 20s living together under one roof, in Fort Lauderdale, posting pastel-lit dances, Crumbl-cookie reviews, and girls’-night routines aimed at TikTok’s under-25 users. Fast Company reported they claimed $10 million in their first month; Vice put the house’s rent at roughly $75,000 a month.

Camilla Araujo's Belfie

And in terms of the lack of a demarcation line between an influencer and a Bop, Griffith wrote about 23-year-old Camilla Araujo whom had a front row seat at a: “[...] Vetements show during Paris Fashion Week last year, [and she was] photographed with Cardi B at New York Fashion Week.” Araujo shared on Logan Paul’s Impaulsive podcast that she was earning, per month, via OnlyFans, between $1.9 and $2.5 million! 

In addition, Ari Kytsya, a 24-year-old OnlyFans content creator, is: “[...] a spokesmodel for Urban Decay, a makeup line owned by L’Oréal.”

Bhad Bhabie

Previously, we wrote about teen rapper Bhad Bhabie, whom, per Variety, in 2021, broke the OnlyFans earning record by making $1 Million in six hours. 

Sami Sheen

We wrote about 18-year-old Sami Sheen, the daughter of actors Denise Richards and Charlie Sheen, whom joined OnlyFans in 2022, where she found even more fame and fortune. 

Piper Rockelle Celebrates Turning 18

And, most recently, we wrote about content creator Piper Rockelle, whom, per Mediaite (2026), shortly after doing a collab with the Bop House girls and turning 18, made over $1 Million in her first hour on OnlyFans. Hence, one should not be surprised that (some) UES prep schoolgirls possess an “obsession with OnlyFans creators”.

Netflix's FREE BERT: Barklidge Academy is Hand Job City!

In the piece “Free Bert: What to Know About Comedian Bert Kreischer’s Comedy Series” posted on Tudum by Netflix (Jan. 27, 2026), Krutika Mallikarjuna wrote a bit of a synopsis of the Netflix series:

When his daughters are accepted into an elite private [middle] school, shirtless party legend slash stand-up comedian Bert Kreischer moves his family to Beverly Hills. The down-to-earth Kreischers struggle to adjust to their new high-class world, but none more so than Bert [...]

When Bert decides it’s time to step up for his family and help his daughters acclimatize, things quickly spiral out of control — thanks to an unfortunate appearance on T-Pain’s livestream, which makes Georgia a target for her school’s bullies.

What Mallikarjuna (suspiciously) failed to mention is that Georgia was bullied because the mean girls at Barklidge Academy discovered, via T-Pain’s Nappy Boy Radio livestream, that Georgia, despite being an 8th grader, had never given a handjob. Consequently, the entire six-part series is shockingly based on Bert's attempt to prevent Georgia from performing her first handjob.

On the Nappy Boy Radio livestream, which Bert went on for Georgia to “talk her up” and make her “popular”, Bert shared with T-Pain and Pacman Jones that Georgia had just transferred into the 8th grade at Barklidge Academy. To Bert’s dismay, T-Pain informed him that 8th grade is “hand job city”, because the 8th grade is where schoolgirls start performing hand jobs.

Bert, “You guys got kids? My daughter just transferred into Barklidge, 8th grade.” 

T-Pain, “Walked right into hand job city, did she? That’s where it starts. You know what I mean?” 

Bert, “No.”

Later at Barklidge Academy, as Georgia walked to her locker through the halls of the elite private middle school, her schoolmates gawked at her disprovingly, and Kiersten Vanderthal, who had been going out with Zac Hotchkiss since the 6th grade, informed Georgia that the “hot gossip” at school was that somehow Georgia had never given a handjob.

Kiersten, “Hi! 

Georgia, “Hi.” 

Kiersten, “Georgia, is it? 

Georgia, “Um, yeah. 

Kiersten, “Kiersten Vanderthal. This is Cameron, Lexi, and Fiona. Some hot gossip going on about you. Word is you’ve never given a hand job.”

After Cameron, Lexi, and Fiona chuckled disapprovingly at the news that Georgia had never performed a handjob, Georgia watched a clip of the livestream, where T-Pain reiterated that 8th grade was “Hand job city”, and to Georgia’s dismay, her father reiterated that she “does not jerk dudes off”.

T-Pain, “Hand job city.” 

Bert, “Oh, no, no, no, no, no. I don’t think so, guys. That’s too young. No, no, no, no, no. Georgia Kreischer, my daughter, does not jerk dudes off. I can promise you that.”

After watching the clip that Kiersten posted online to reverse slut shame Georgia, which “everyone” at the private middle school shared, Georgia said, “My life is over, okay? You think any guy’s gonna want to talk to me now?” Thereby, Georgia implied that she was unpopular with the (mean) girls and (all) the boys, because she had never performed a hand job.

In episode 02, to Bert’s displeasure but to Georgia’s pleasure, Zac DMed her to invite her over to watch a “movie”. Bert surmised that Zac didn’t want to watch a movie with Georgia, but that Zac desired Georgia’s “virgin hands”, to have a “total jerkathon”. Georgia assumed that she was unpopular with the school boys, but her father surmised that his daughter’s “virgin hands” were “every middle school boy’s fantasy”. Bert said,

“He could pull any girl in that class. What’s he want with our daughter? Wait, a second. Her virgin hands.”

“She’s every middle school boy’s fantasy.”

LeeAnn, Georgia’s mother, reminded streamers that, despite only being an 8th grader, Kiersten had “experienced hands”, but Bert informed his wife that Zac didn’t desire Kiersten’s experienced hands, and he reiterated that “every boy” in the 8th grade wanted to “plant their flag” in Georgia’s palms.

LeeAnn, “Really? Wouldn’t they want experienced hands?

Bert, “He’s already got one experienced hand. What’s the fun in that? He invites her over to watch a movie? Come on! How transparent is that? Kids don’t watch movies these days, hon. He’s setting her up for a total jerkathon [...] Now every boy in that class is gonna want to plant their flag in her palms.”

In an effort to get his wife to see the seriousness of the matter, Bert asked his wife to imagine Georgia’s “teenage jizz” drenched “hand wrapped around Zac Hotchkiss’s cock”! Bert said,

“Baby. Close your eyes. Do you remember the day Georgia was born? The nurse laid her on your chest. It was just the three of us. Out of nowhere, Georgia took that little baby hand, and she reached up and stroked your face. Now imagine that hand wrapped around Zac Hotchkiss’s cock. Cum sticking between her fingers. Teenage jizz just in her palm, on her knuckles, in her fingernails. That’s what we’re up against. LeeAnn.”

After Bert and his wife warned Georgia that Zac didn’t want to watch a movie, but that he desired a hand job, Georgia informed her parents that if Zac wanted to watch a movie and/or get a hand job, it was her choice to “finish him”. Georgia said,

“Maybe that is what he wants, and maybe that’s what he’s gonna get. Hey, you started this. It’s up to me to finish it. Or finish him. Whatever you prefer.”

However, after Bert discovered that Zac couldn’t ejaculate, because he needed an orchiopexy surgical procedure, Bert encouraged Georgia to date Zac. Consequently, Georgia asked her father if he would be fine with her giving Zac a middle school hand job, to which her father replied in the affirmative.

Georgia, “[I]f I were to decide to, let’s say, give Zac a hand job, you’d be fine with that?”

Bert, “Hey. If that’s what the moment calls for, and Zac obviously is physically able to receive said hand job, then go for it.”

Thus, Bert assumed that if Zac couldn’t ejaculate, Zac wouldn’t desire a hand job, or Bert was fine with his daughter performing a hand job on Zac as long as her hand wasn’t drenched in Zac’s “teenage jizz”.

I won’t spoil whether or not Georgia gave Zac a handjob, but according to Bert Kreischer's Instagram post, Free Bert was trending number 2 the day after it premiered on Netflix, and Bert shared that he received over 150 texts/DMs expressing support for the salacious series. And, unsurprisingly, per Variety, Free Bert was renewed for a second season. 

SLUT: A PLAY | NYC Teens (Re)Claim Slut Title

Playwright Katie Cappiello and Meg McInerney wrote in Slut: A Play and Guidebook for Combating Sexism and Sexual Violence, which was published by the Feminist Press at The City College of New York, that during the sessions to develop the play at The Arts Effect All-Girl Theater Company in New York City, the word slut kept coming out of the mouths of the twenty East Coast high school students. For example:

“I feel like a slut.”

“I was dressed all slutty.”

“Haha. Oh my [G]od, you’re a dirty little slut!”

Consequently, Cappiello and McInerney came to the conclusion that teens across the United States were reclaiming the title of slut, because being a slut meant that a girl is “fuckable”. Cappiello and McInerney wrote:

“There’s an attempt being made by girls and young women across the country to reclaim the word. Being a “slut” means you’re sexy, fun, experimental, willing, popular, wanted, “fuckable” [...]”

SLUT: A PLAY | PREGAMING

However, the play isn’t only about slut praising, it’s about slut shaming as well. As for slut praising, Jennifer Baumgardner described the PROLOGUE: PREGAMING of the play well:

The play opens with five girls [in spandex shorts and sports bras] dancing around in a locker room—teasing, frank, sweet, hilarious—and having fun as well as playing with their burgeoning sexuality.

Dancing is an understatement, because, in addition to twerking on stage, the teen girls were playing with their burgeoning sexuality by simulating girl-on-girl oral sex and all-girl threesome sex.

After Christina asked, “Okay, what’s everyone wearing to Connor’s?” Grace asked if she should wear tights. “The ones with the seam up the back so they still look really cute.” Natalie replied by sharing that Grace performed a teen “drunken striptease last weekend”; therefore, Natalie predicted that Grace would strip out of her tights at Connor’s party.

In a bit of “routine banter for these girls”, Grace went on to call Natalie the “biggest … dirtiest … sluttiest slut of, like, all time.”

JOEY (Winnifred Bonjean Alpart ). Okay, no way is she the biggest slut of the Slut Squad! I can slut it up with the sluttiest of y’all, thank you very much! Including Natalie.

CHRISTINA. Hey!

NATALIE. Ohhhh Chrissy! You know we respect your sexy slutness. (NATALIE digs though [sic] her makeup bag.)

CHRISTINA. You better. And don’t make me challenge you to a slut-off.

NATALIE. Yep. And you don’t mess with Slut Squad girls. Because we will take you down, motherfucker.

CHRISTINA. Awww, Slut Squad love!

GRACE. Slut Squad crazy love!

The Slut Squad of the Elliot Dance Team even had a chant slash team anthem.

S-L-U-T S-Q-U-A-D!

[...]

YES, THAT’S WHO WE BE.

AND, BITCHES, WE GO DOWN LIKE NO OTHER

GIRLS IN TOWN. AND WHEN WE STRUT

THROUGH THE SCHOOL

YOU KNOW WE MAKE THEM BOYS DROOL.

BECAUSE THEY ALL WANNA PIECE OF THIS.

AND YOU KNOW YOU CAN’T SLUT LIKE THIS.

[...]

In reference to the chant/anthem, the parenthetical states: ([...] It’s goofy and fun, but they kind of mean it …) Kind of?

Joey elaborated by relating that slut is a positive attribute, because, like boys, it should be “totally cool” for girls to be able to “hook up with whoever they want”. Joey said that the Slut Squad isn’t “afraid to be sexual”, and proclaimed that the Slut Squad members are confident and sexy.

JOEY. When I think of what our idea of “slut” [...] and I know it sounds stupid now but... it’s positive. We think it’s wrong that guys can hook up with whoever they want and that’s totally cool, but girls can’t. It’s an unfair double standard. So we're like, “Hey, if we act confident about sex and...”

NATALIE. (To DANIELLE.) We own our shit.

JOEY. And we aren’t afraid to be sexual. If all that makes us sluts, then I guess we’re sluts. So, Slut Squad just means we’re confident and, you know, sexy.

In addition to slut praising, there was slut shaming in the play as well. For example, after Anna was grounded for smashing her 11-year-old sister in the face, Anna referred to her sister as a “stupid little whore” whom was “becoming a real bitch, too.” However, Anna didn’t share what her little sister did to be referred to as a little whore.

Since Anna couldn’t attend the party with Joey at Connor’s, Anna decided to binge-watch Friday Night Lights starring Tim Riggins. Tim Riggins was played by Taylor Kitsch, who played Tim Riggins from the age of 25 to 30, which is why Anna referred to him as her “dream man” whom she, consequently, wanted to “do”.

JOEY. OOOOoooo. Tim Riggins!

ANNA. My dream man. I wanna do him.

(Note: The actresses who played Joey and Anna were teens. For example, Alpart was 16 when she played 16-year-old Joey. )

On the way to Connor’s party in a cab, after dancing in the back seat and making out with George, Joey was forcibly “fingered” by George and Luke, two schoolboys, as the cab sped from Columbus Circle to 78th and Lex .

JOEY. I just sort of slung my leg over George’s.

JOEY. We were kind of dancing in the back [of the cab], and George was sort of keeping the beat on my leg, you know [...] playing drums on my leg.

JOEY. And then George and I started to, like...make out [...] then he started to put his hand up my leg.

JOEY. [...] his hand actually went up my dress and sort of grazed my crotch. [...] So I said, “George, come on, stop. Just wait until we get to Connor’s.”

JOEY. So then, next thing I know, Luke is grabbing my other leg ... [...] so my, um, legs would be more open and George—[...] was on top of my leg, sort of pinning me down.

JOEY. Then George all of a sudden really aggressively pulls my underwear to the side and jammed two of his fingers inside me. (Beat.)

JOEY. I was crying at this point, but I didn’t scream.

JOEY. My vagina was pretty exposed, and I kept thinking if this guy [i.e., the cab driver] turns around [...] we’re going to get in an accident.

JOEY. George had his fingers in me... Two…[...] moving them in and out as hard as he could and as fast as he could. [...] And I’m crying. And the whole time Luke is making fun of George [...] because I’m not coming. Because I’m not having an orgasm. [...] he finally pulled his fingers out. Luke was laughing and he was bragging how he was going to show George how it was done. Then he put two of his fingers in his mouth.

JOEY. [...] then Luke laughs—and then he stuck his wet fingers in my vagina. [...] Then he did the same thing as George except he was trying to show off. I was hysterically crying, and he kept saying things like, “Come on JoJo—you know you wanna come—you know you’re wet now.” [...] And he and George laughed. Luke pulled his fingers out of me and wiped them on George’s shirt. And then they let go of me. (Beat.)

Almost everyone slut shamed Joey for being forcibly “fingered” by George and Luke whom convincingly told everyone that Joey “hooked up with all of them in the back of that cab.” Even Joey’s mother called her a “little slut”. Christina said that Joey “loses control sometimes” and that Joey had “done weird shit before”. Natalie said that Joey was “slutting herself out”. It didn’t help that there were pictures posted online of Joey tasting fruit-flavored condoms, which implied to some that Joey had planned to give George and Luke “blow jobs”. And Leila related that there were pictures from the cab that looked like Joey was giving George a lap dance.

In addition, Leila felt bad for George, because Joey’s accusations could have prevented him from getting into Harvard. Consequently, Leila referred to Joey as a slut and a liar.

LEILA. Because I feel bad for him. Are you kidding me? This whole thing is a real shit show. This type of shit can ruin someone’s whole life, and I feel bad for him. Because, you know, it’s been his dream to go to Harvard like his dad.

LEILA. Because I really like him and I know he didn’t mean anything by it. They were wasted. Whatever—it happened. She’s a slut, and she was all over his shit. Did you see those pictures? She was basically giving him a lap dance. What was he supposed to do?

LEILA. “She obviously regrets what she did Friday night, so she feels like she’s gotta make shit up.”

Interestingly, George was Joey’s first boyfriend, which was in the fourth-grade. Prior to the incident in the cab, after Leila shared with Joey that she and George had “hooked up a little bit”, Joey said, “I mean we all, like, whatever, with each other. It’s nothing. It’s just what you do.”

However, Joey wasn’t the first schoolgirl to accuse George of untoward behavior. For instance, Grace shared that, before she and George started dating, George forced her to give him a hand job in the bathroom.

GRACE. You know, George once followed me into the bathroom and locked the door and wouldn’t let me out until I gave him a hand job. True story. I didn’t tell anyone. We ended up going out for, like, five months...

In terms of the salacious behavior of (some) Manhattan’s privileged teens, the text of the guidebook is just as revealing as the text of the play. For example, Jennifer Baumgardner shared in “Why StopSlut?” that when she was in gym class, another 7th grader said, “Jenny, your sister’s a slut. She had sex at Bob’s party over the weekend.” The middle school slut shaming was in reference to Andrea, Jenny’s 14-year-old sister, because while Andrea was trying to “sober up” at Bob’s party, Andrea’s boyfriend’s best friend “decided to have sex with her.” Subsequently, schoolboys shockingly ran “their hands up her skirt as she passed by” and pulled “her into rooms at parties.” Baumgardner wrote that “literally dozens” of her friends had similar stories. (Interestingly, Jennifer wrote that it took her and Andrea “many years” to come to the conclusion that Andrea had been forced to have sex.)

In the chapter “Reality Check From Young Voices”, Sonia, a 15-year-old sophomore from a small town in Pennsylvania, shared that after she asked her boyfriend what he wanted for his 16th birthday, he replied that he wanted a “blow job”. Sonia:

We had been dating for a little over a month, when I asked him what he wanted for this sixteenth birthday. All he wanted from me was a blow job.

I’d say, “Hey, what do you want for your birthday?” and he’d say, “Head.”

Sonia typically preferred having teen sex; therefore, she reluctantly came to the conclusion: “Fine! I’ll give my boyfriend head because I’d rather that than him yell at me again [for not giving him a head].” To Sonia’s dismay, she performed oral sex for over a year, and when she was on her menses, her boyfriend dubbed it “blow job week”.

13-year-old Fred wrote that when he and Lenny were in the 6th grade, Lenny asked Fred, “You watch porn?” Lenny was on to something, because Fred started watching porn “halfway through fifth grade” (i.e., at 10 or 11-years-old). Fred wrote:

I started watching porn halfway through fifth grade. I had just begun middle school, and befriended a lot of kids in the seventh and eighth grade. Sometimes when I hung out with them they would make jokes about the porn they watched, referencing certain sites.

As for Lenny, an apparent middle-school cad, while visiting Lola, he: “took his penis and slapped it on her leg because he felt like it”.

(“In Porn Before Puberty?”, an ABC News feature, Winnifred Bonjean Alpart shared with a reporter that when she was in eighth grade: "[..] boys mostly, were watching porn during school [...] during independent reading, they would do that.")

And in “I’ve Slutted. Have You?”, 17-year-old Danielle related that she went to a Jewish summer camp in Pennsylvania where promiscuous teen behavior was encouraged and cultivated by campers and camp counselors. Consequently, during summer camp, there were “sexual firsts for everyone”. (Everyone?) Danielle wrote:

I go to this typical Jewish summer camp, where promiscuous behavior is practically encouraged and cultivated. Let’s be real, it’s literally eight weeks of teenagers breaking the counselors’ rules (who in turn egg us on!) in an isolated campsite in the middle of Milford, Pennsylvania—the middle of nowhere. In those two months, with no parental supervision, there are lots of sexual firsts for everyone.

The promiscuous behavior didn’t only happen at camp, it happened during the annual camp reunion night-before-reunion sleepover as well. For example, take Georgia, who Danielle described as “really petite and very pretty”, “the dream girl”, and who was “always hooking up with someone”. Unsurprisingly, Georgia was not a virgin. Danielle wrote:

The group of girls that I'm friendly with define themselves by their flirtatiousness and sexual interests. There is one girl in particular, Georgia, who is really petite and very pretty, and she doesn’t speak that much. She’s always hooking up with someone and she lost her virginity before many of the rest of us. She’s the dream girl for all the guys at my camp.

During the night-before-reunion sleepover, after “[e]very-one got very drunk” and while being filmed and encouraged by her best friends and fellow campers, Georgia performed oral sex on two boys in the back-yard. Danielle wrote:

[...] Every-one got very drunk. Josh and another boy coerced—basically forced—Georgia to give them blow jobs, while others filmed it on their phones. Watching the videos disgusted me. They were pressuring her to take off her clothes and give other guys in the crowd blow jobs—and all of this was going on in the back-yard of someone’s home! Initially Georgia resisted, very drunkenly, and repeatedly declined these boys’ demands. Then she ended up giving in. The scari-est part is that her best friends were doing nothing to stop it, but were laughing and encouraging the whole display.

Slut: A Play, which praised and shamed teen sluts, premiered at the Lynn Redgrave Theater in Manhattan (August 19, 2013). Cappiello and McInerney related that the play was: “[...] authentic, nuanced, and hard-hitting.” And that everything in this play was “inspired by real events,” which is revealing, because it appears that it’s not Dirty Old Men whom schoolgirls need to worry about, it's Dirty Young Boys.

Lastly, take Hunter Gaynes, who hooked up with 13-year-old Nadia “so cute” Boyd while she was on her menses. Consequently, Hunter “got everyone” to call Nadia “Bloody Beaver”, and Hunter, being “a little freshman douche”, even “put that shit all over Facebook.”